Sam Kruger & S E Grummett return to the scene of 2023 cult-hit Creepy Boys – and transcend to a whole new level of nightmarish brilliance.
A powerhouse threesome of outre comedy characters that perhaps need to add a little more to their story and a little less reliance on audience to carry the action.
Alison Spittle is a tender, human comic who talks frankly of illness, being fat and accepting difference.
The Zach Zucker-hosted late-night showcase is still a hot-ticket – 90 minutes of organised mayhem.
Ding Dong! Avon Calling is a witty exploration of female relationships a la Motherhood that could have been cranked up a few notches to make a pure farce.
There are glimmers of promise, but this simply-staged update on the legend of Orpheus & Eurydice feels sadly under-directed.
Theatre Company Haraki (Georgia) astound with this guttural endurance half hour of poetic, breathy and deathly revelation
High-concept character comedy doesn’t get much better than this moon-centred piece of delightful silliness.
Queer musical comedy madness which will either leave you aching with laughter or reaching for the aspirin (or both).
Semi-Automatic Smokeshow is a rare chance to watch an up-and-coming star make contemporary theatre seem relevant, with useful home truths and critical reflections on America.
