It is unfathomable that this show is not nominated for – let alone winning – the Edinburgh Comedy Award. Perhaps this standout comedy show of the Fringe proves just how out of touch that institution is.
A beautifully paced hour which sees Hagen dissecting her own feminist activism – and extolling the virtues of Peter Brixtofte.
A slightly chaotic hour of improvised crowd work, with Frank Skinner keeping the show on the road.
Like watching a Black Mirror live show, this four-hander is a neatly packaged hour of entertaining theatre.
Tom Short does himself a disservice by crediting AI for any of the fun to be had here.
The manopshere is skewered in this surreal take on hypermasculinity, the myth of male superiority – and feminism through a porcine lens.
The joy of silliness lives on at the Fringe, embodied by weirdo Adam Larter!
Designer-performer Dylan Howells knows how to pull off a jump scare – but this ghost story one-hander falls a few chills short.
A powerful tour-de-force from Hannah Maxwell, angrily dismantling our reliance on smartphones whilst sounding a stark warning about fake news and dwindling attention.
A glimpse into the madness of the contemporary university, as a pair of at-risk lecturers concoct a fake new Shakespeare play to save their jobs.
